MUSICIAN. ARTIST. GARDENER.
AUG 2022 JOURNAL.jpg

JOURNAL

MICHAEL MUSIKA'S CHRONOLOGICAL DOCUMENTATION OF CREATION THROUGH WRITING, PHOTOGRAPHY, AND PERFORMANCE ON VIDEO.

JOURNAL

This Journal is for a Japanese documentary film maker so that we may have an opportunity to go to Japan.


 
SEPT 5, 2011 // QUIET LIGHTNING

SAN FRANCISCO, CA 
We performed at a reading series for the literary journal Quiet Lightning. Matt Adams sat in on drums.  The event was held at the Conservatory of Flowers in Golden Gate Park. Thank you to Evan Karp for inviting us and filming.

Michael Musika
WED JULY 6, 2011 // DAKOTA PRAIRIES

SAN FRANCISCO, CALIFORNIA

copper gutters burning pines
babies on assembly lines
attached to hooks and cast outside
the factory where the whistle whines

the signs announce the arbitrary
merchants mind the monastaries
actuaries carry canaries
to mines behind Dakota Prairies

cemetaries, California
adorned with heckled heedless warnings
strapped onto the jewels adorning
boundless beauty in the morning

blame Delilah, blame Medusa
blame yourself Tony Larussa
maybe you’ll just tell the truth next time
there’ll be light in the room and you’ll know
take your time 

Dakota Praires.m4a
Michael Musika
SUN MAY 29, 2011 // I WOKE UP EARLY IN THE MORNING

GRYON, SWITZERLAND

It was my thirty fourth birthday.  I woke up early.  Patrick, Eric, Doug, and Emma were still sleeping in the bunk beds in our little room in Chalet Martin, a hostel for backpackers in the Swiss Alps.  I tip toed out of the room, down the hall, and out into what was a spectacular morning.  The sun was shining, birds were singing, wild flowers were blooming, and the sky was blue.  

I walked down the path to a restaurant on the one street in the small village that had businesses.  The waiter seated me outside on a deck at the rear of the building underneath a colorful umbrella. There was a view of a meadow far down below. I drank coffee and ate alone.

When I returned to Chalet Martin, the others were awake. We took pictures and talked in the sunshine. Emma had a splinter which I removed with the tools on a Swiss army knife. Then we drove to the Solalex nature preserve.  Patrick filmed Eric and I playing songs in scenic places. I took a dip in a very cold mountain stream. We had a delicious, late lunch of salad greens that were grown near by.  Cows were grazing and the bells they wore rang in the wind, mixing with the sound of pine tree limbs bending, bird calling.

We returned to Chalet Martin late in the afternoon.  Matt, the charismatic, Australian innkeeper built  a fire in the fire pit, and organized preparation of dinner for the guests.  A woman told us in great detail about her very recent experience of a dramatic end to a long term relationship.  Eric and I set up near the fire on the patio and played a concert for our newly heartbroken acquaintance and the other guests while the sun went down.  

I've never listened to the recording of the show we made, nor watched the film that Patrick took.  It was a strange time in life.  I was operating under a lot of misconceptions about who we were and why we were doing what we were doing.  I struggled a lot with insecurity. None the less, in spite of myself, something clever had transpired. I could see it in how good of a time my friends were having.  I could feel it in the generosity of our host, and in the relaxed, attentive comportment of our audience. We were in the midst of a really good part of the story.  Sometimes you make a good decision because you're a fool.  

I can only speculate as to why I thought it was a good idea to book a concert in Gryon, Switzerland. I'd been there once before, a long time ago, and knew it was a place worth seeing twice.  I thought if Eric and I were going to make good music we should have experiences worth making music about. It worked out. It was one of the best days ever. 

IMG_4113.jpg
Michael Musika